Monday, December 8, 2025
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Stylized illustration of a Cabaret performance in Berlin, showing a woman in a black costume kicking her leg high while standing on a platform beside a smiling man in a bowler hat. Behind them, the word “Cabaret” glows in red neon, and a crowd of silhouetted revelers dances in a moody, smoke-filled club.
Arts and Entertainment

Cabaret and Collapse: The Seduction That Preceded the Storm

Jordan B. Rickards, Editor-in-Chief -
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AI robot head overlooking Hollywood sign at sunset, blending futuristic neon glow with classic Los Angeles landscape.
Arts and Entertainment

Hollywood Phonies Fear AI Fakes

Jordan B. Rickards, Editor-in-Chief -
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Jimmy Kimmel debates Charlie Kirk in a formal setting, both wearing suits and speaking face to face.
Arts and Entertainment

Cancelling Kimmel Dishonors Charlie Kirk, and Threatens Our Rights

Jordan B. Rickards, Editor-in-Chief -
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Runway show with multiple models in glittering gowns under dramatic spotlights, highlighting the beauty and faceless uniformity of the fashion industry.
Arts and Entertainment

Why Fashion Never Had a #MeToo Moment

Jordan B. Rickards, Editor-in-Chief -
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Cracked “World’s Best Boss” coffee mug sitting on a desk in a modern office, symbolizing the decline of The Office legacy and Hollywood’s broken approach to entertainment.
Arts and Entertainment

The Office Spin-Off Is a Wall Street Fire Sale Disguised as Entertainment

Jordan B. Rickards, Editor-in-Chief -
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A cinematic couple framed in a shattered mirror reflects Hollywood’s glamorization of betrayal and the illusion of romantic freedom in modern film.
Arts and Entertainment

Adultery, American-Style: Hollywood’s Gospel of Sanctified Betrayal

Jordan B. Rickards, Editor-in-Chief -
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Split-screen illustration with "It's A Wonderful Life" on the left in warm, vibrant colors, showing a cheerful small-town street, and "Atlas Shrugged" on the right in cold grayscale tones, depicting a grim, industrial cityscape with somber figures. A man in a teal coat and fedora stands at the center, dividing the two worlds.
Arts and Entertainment

What Ayn Rand Got Wrong, and Capra Got Right, About Capitalism

Jordan B. Rickards, Editor-in-Chief -
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Billy Corgan in a black leather jacket sitting inside a cage, looking down with a somber, introspective expression.
Arts and Entertainment

The Cage He Built: Billy Corgan and the Ghoulish Armor of the Wounded Soul

Jordan B. Rickards, Editor-in-Chief -
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A ghostly, hunched figure drags a towering puppet on a chain through a misty, dreamlike landscape—symbolizing the burden of performative victimhood.
Arts and Entertainment

The Chains We Choose: C.S. Lewis’s Warning for America

Jordan B. Rickards, Editor-in-Chief -
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